SCREEN WRITING TIPS FROM PULP FICTION - MIA WALLACE'S POV

 

Analyzing Pulp Fiction from Mia Wallace’s POV

Mia Wallace (Uma Thurman) plays a pivotal yet enigmatic role in Pulp Fiction. While her arc doesn’t span the entire narrative, her story, especially in the "Vincent Vega and Marsellus Wallace’s Wife" segment, offers a compelling lens through which we can examine the Hero’s Journey, themes of isolation, identity, and connection, and the symbolism of rebellion and danger. Her character adds depth to the film’s themes and provides valuable screenwriting lessons.

---

Mia Wallace’s Hero’s Journey

Mia’s story in Pulp Fiction can be interpreted as a condensed, fragmented version of the Hero’s Journey. Her journey is not about external transformation but an internal exploration of connection, freedom, and danger.

1. The Ordinary World

Mia’s "ordinary world" is her life as the wife of Marsellus Wallace, a powerful crime lord. While surrounded by wealth and status, Mia’s world is one of isolation and restriction. She is a trophy wife, defined by her husband’s power, and her boredom is palpable.

2. The Call to Adventure

The call comes when Marsellus orders Vincent Vega to take Mia out for an evening while he is away. This seemingly mundane task offers Mia an escape from her monotonous life and a chance to interact with someone who isn’t beholden to her husband.

3. Refusal of the Call

Mia initially plays coy with Vincent, maintaining an air of control and mystery. She is testing the waters, deciding whether to let the evening become more than a routine dinner. Her reluctance to fully engage symbolizes her caution in navigating her limited freedom.

4. Meeting the Mentor

In a sense, Vincent becomes her "mentor," though in a non-traditional way. Through their shared experiences at Jack Rabbit Slim’s and the overdose incident, Mia learns the consequences of pushing boundaries and the fragility of her escape from her restrictive world.

5. Crossing the Threshold

Mia crosses the threshold during the evening with Vincent, particularly in their intimate connection at the diner and her willingness to dance and let loose. This is her brief foray into a world of rebellion and individuality, outside her husband's shadow.

6. Tests, Allies, and Enemies

• Test 1: Testing Vincent’s boundaries. Mia pushes Vincent to see how far he’s willing to go, from playful banter to their almost-intimate connection.

• Test 2: Her overdose is the ultimate test, both for her and Vincent. It symbolizes the consequences of her desire to escape and rebel.

• Allies: Vincent is her ally, as he saves her life during the overdose.

• Enemies: The true enemy is her own boredom, recklessness, and the confines of her life with Marsellus.

7. The Ordeal

The ordeal is Mia’s overdose. This near-death experience forces her (and Vincent) to confront the consequences of their actions. It’s a moment of reckoning for both characters, as it underscores the fragility of their rebellion and the danger of stepping outside their prescribed roles.

8. The Reward

Mia’s reward is survival. More than that, she gains a new understanding of the boundaries she can push and the dangers of her actions. While she doesn’t explicitly change, her near-death experience likely leaves a lasting impression.

9. The Road Back

Mia’s road back is her return to her ordinary life with Marsellus. After the overdose, she and Vincent share an unspoken agreement to keep the events of the night a secret, reinforcing the boundaries of her rebellion.

10. The Resurrection

Mia’s resurrection is symbolic rather than literal. She emerges from her overdose alive, but the experience likely tempers her desire to recklessly escape her world. She remains enigmatic but seems more cautious by the end of the night.

11. Return with the Elixir

The "elixir" is the wisdom Mia gains from her brush with death. While she may not outwardly change, the experience underscores the limits of her freedom and the cost of rebellion.

---

Themes in Mia Wallace’s Story

1. Isolation and Freedom

Mia’s life is defined by her isolation as Marsellus’s wife. Her evening with Vincent represents a fleeting attempt to escape her loneliness and feel free, but her overdose reminds her of the dangers of that freedom.

2. Rebellion and Consequences

Mia’s desire to rebel against her restricted life is a central theme. Her overdose is a stark reminder of the consequences of pushing boundaries too far.

3. Connection and Boundaries

Mia’s relationship with Vincent highlights the human need for connection, even in unconventional circumstances. Their bond is both intimate and restrained, emphasizing the tension between desire and responsibility.

4. Danger as Attraction

Mia is drawn to danger, whether through her relationship with Marsellus, her flirtation with Vincent, or her drug use. This theme underscores the allure of rebellion and its consequences.

---

Symbolism in Mia Wallace’s Story

1. The Jack Rabbit Slim’s Dance

The dance contest symbolizes Mia’s desire to break free from her mundane life and express herself. It’s a moment of joy and rebellion, highlighting her individuality.

2. The Overdose

Mia’s overdose is a powerful symbol of the risks of pushing boundaries. It represents the fine line between freedom and recklessness and the consequences of stepping too far outside her prescribed role.

3. The $5 Milkshake

The milkshake is a symbol of indulgence and simplicity, contrasting with the complexity and danger of Mia’s life. It represents her desire to enjoy the small pleasures of life.

4. Her Iconic Style

Mia’s black-and-white outfit symbolizes her duality: her restrained, composed exterior and her rebellious, unpredictable inner self.

---

Screenwriting Advice from Mia Wallace’s Story

1. Create Layers of Mystery

Mia is enigmatic, and her mystery draws the audience in. When writing characters, leave some aspects unexplained, allowing viewers to project their interpretations onto the character.

2. Use Subtext in Dialogue

Mia and Vincent’s conversations are loaded with subtext. Their banter reveals their personalities and hints at their deeper desires without explicitly stating them. Mastering subtext can make your dialogue more engaging and layered.

3. Explore Complex Relationships

Mia and Vincent’s relationship is fraught with tension, attraction, and unspoken rules. Complex relationships with internal and external stakes add depth to your story.

4. Balance Humor and Drama

Mia’s overdose is one of the most intense scenes in the film, yet it’s balanced with dark humor. Mixing tones can heighten the emotional impact of a scene and keep the audience engaged.

5. Use Visual Storytelling

Mia’s iconic look, her body language, and her actions (like snorting heroin) convey as much about her character as her dialogue. Show, don’t tell, whenever possible.

6. Highlight Flawed Humanity

Mia is deeply flawed but relatable. Her rebellion, recklessness, and desire for connection make her human. Flawed characters resonate with audiences and make stories more compelling.

7. Focus on Moments of Change

While Mia’s arc is subtle, her overdose serves as a moment of reckoning and change. Highlighting such pivotal moments can make a character’s journey more impactful.

8. Keep Some Questions Unanswered

What drives Mia’s recklessness? How much does she truly care for Marsellus? These unanswered questions keep her intriguing. Avoid over-explaining your characters.

---

Conclusion

From Mia Wallace’s perspective, Pulp Fiction becomes a story of rebellion, isolation, and the quest for connection. Her arc explores the tension between freedom and responsibility, showing the dangers of pushing boundaries while offering a glimpse of humanity within a world of chaos. For screenwriters, Mia’s story demonstrates the power of mystery, subtext, and flawed humanity in crafting compelling characters and relationships.

STORY NOTES

I’m a professional, working screenwriter/director/producer.

I have worked with Morgan Freeman (The Shawshank Redemption), Harvey Keitel (Pulp Fiction), Olga Kurylenko (Quantum Of Solace), Matt Doran (The Matrix).

Unlike many other script-doctor services, the notes I provide are in-depth and comprehensive, often running to ten pages, ensuring every aspect of your story is analyzed.

What you get…

1. Page Read Notes. These are beat specific notes that arise as I read your script. These focus on the minutiae of your story as it unfolds.
2. General Notes. These focus on all the key aspects of your screenplay, being: Concept, Form, Characters, Dialogue, Hero, Antagonist, Voice, Production, Hero’s Journey, Goal, Stakes, Urgency.
3. A one hour Zoom call to go over the notes and answer all your questions before you begin your deep dive into your next draft.
4. Lastly, I offer indefinite email follow up. Feel free to email any questions that arise as you rewrite your screenplay. It’s always great to have an objective sounding board to bounce ideas off. 

Email samuelb888@gmail.com to take your story to the next level.

All the very best with your writing journey!

SCREEN WRITING TIPS FROM - PULP FICTION - MR WOLF'S POV

 

Analyzing Pulp Fiction from Mr. Wolf’s POV

Mr. Wolf (Harvey Keitel) is a professional fixer, embodying competence, precision, and authority. His role in Pulp Fiction is concise but impactful, showcasing his expertise in cleaning up messes and maintaining order amidst chaos. Viewed through the lens of the Hero’s Journey, Mr. Wolf’s brief arc is an atypical take on the structure, illustrating themes of professionalism, control, and calm in the face of disorder. His presence is a masterclass in efficient storytelling, with valuable lessons for screenwriters.

Mr. Wolf’s Hero’s Journey

Mr. Wolf’s journey is unconventional because he arrives fully formed, with his transformation implied rather than shown. His "journey" is not about personal growth but about bringing resolution to the story’s chaos.

1. The Ordinary World

Mr. Wolf’s "ordinary world" is his role as a problem-solver in the criminal underworld. He is established as a man who operates with efficiency and professionalism, dealing with high-stakes situations as part of his daily life.

2. The Call to Adventure

The call comes from Marsellus Wallace, via a panicked Jules and Vincent. They desperately need someone to fix the bloody mess in the car, and Mr. Wolf is the person they turn to.

3. Refusal of the Call

There is no refusal. Mr. Wolf is a man of action. His immediate acceptance of the task highlights his confidence and sense of duty. This is a deviation from the traditional Hero’s Journey, reinforcing his role as a professional who thrives in chaos.

4. Meeting the Mentor

Mr. Wolf is the mentor in this story. He guides Jules and Vincent, providing clear instructions and teaching them how to handle their predicament. His mentorship is practical, authoritative, and devoid of sentimentality.

5. Crossing the Threshold

Mr. Wolf "crosses the threshold" when he arrives at Jimmy’s house and assesses the situation. He enters the chaotic world of Jules and Vincent, bringing with him a sense of order and control.

6. Tests, Allies, and Enemies

• Tests: The primary test is time. Mr. Wolf must resolve the situation quickly to avoid discovery.

• Allies: Jules, Vincent, and Jimmy are his allies, albeit reluctant and bumbling ones. They follow his instructions, albeit clumsily.

• Enemies: The "enemy" is the ticking clock, representing the potential consequences of failure.

7. The Ordeal

The ordeal is the cleanup process itself, which requires precise execution and cooperation from Jules and Vincent. Mr. Wolf’s ability to remain calm and assert control in this high-pressure situation is critical to the outcome.

8. The Reward

The reward is the successful resolution of the crisis. Mr. Wolf ensures the cleanup is flawless, allowing Jules and Vincent to escape without repercussions.

9. The Road Back

After completing his task, Mr. Wolf returns to his ordinary world. His departure is as smooth and efficient as his arrival, emphasizing his role as a consummate professional.

10. The Resurrection

Mr. Wolf does not undergo a personal resurrection, but his presence brings a metaphorical resurrection for Jules and Vincent, who are saved from the mess they created.

11. Return with the Elixir

The "elixir" is Mr. Wolf’s expertise and guidance, which leave Jules and Vincent with their lives intact and a new understanding of the importance of competence and composure under pressure.

---

Themes in Mr. Wolf’s Story

1. Professionalism and Order

Mr. Wolf’s character embodies professionalism and efficiency. He represents the value of experience, expertise, and calm decision-making in chaotic situations.

2. Control vs. Chaos

Mr. Wolf is a counterbalance to the chaos of Jules and Vincent. His calm demeanor contrasts sharply with their panic, symbolizing the importance of control in overcoming adversity.

3. Authority and Respect

Mr. Wolf commands respect through his actions, not intimidation. His authority comes from his expertise and calm demeanor, emphasizing the power of competence over brute force.

4. Time as a Ticking Clock

Time is a recurring theme in Mr. Wolf’s segment. The urgency of the cleanup underscores the importance of precision and focus under pressure.

---

Symbolism in Mr. Wolf’s Story

1. The Tuxedo

Mr. Wolf’s formal attire symbolizes his professionalism and composure. Even in the dirtiest situations, he maintains an air of dignity and control.

2. The Coffee

Mr. Wolf’s casual conversation about Jimmy’s coffee is a symbol of his ability to remain calm and collected in any situation. It highlights his humanity amidst the chaos.

3. The Cleanup

The cleanup process symbolizes order restoring chaos. Mr. Wolf’s methodical approach represents the triumph of expertise and rationality over panic and disorder.

4. The Cadillac

Mr. Wolf’s luxurious car is a symbol of his success and the respect he commands in his field. It’s a subtle nod to his status and authority.

---

Screenwriting Advice from Mr. Wolf’s Story

1. Introduce Characters Fully Formed

Mr. Wolf is a perfect example of a character who doesn’t need a backstory or arc to be compelling. When writing secondary characters, focus on their purpose in the story and how they affect the main plot. Let their actions speak for themselves.

2. Efficiency in Dialogue

Mr. Wolf’s dialogue is concise and purposeful. Every line serves to move the plot forward or reveal his character. Avoid unnecessary exposition and let your dialogue reflect the character’s personality.

3. Contrast Characters for Impact

Mr. Wolf’s calm, professional demeanor contrasts sharply with Jules and Vincent’s frantic energy, making him stand out. Use contrasts to create memorable interactions and highlight different aspects of your characters.

4. Show Authority Through Action

Mr. Wolf commands respect not by yelling or threatening but by taking control of the situation and delivering results. Show your characters’ authority through their competence and actions rather than telling the audience.

5. Use Time as a Narrative Device

The ticking clock adds tension to Mr. Wolf’s segment, heightening the stakes. Incorporating time constraints in your screenplay can create urgency and keep the audience engaged.

6. Keep it Simple but Impactful

Mr. Wolf’s arc is straightforward yet leaves a lasting impression. When crafting supporting characters, focus on making their purpose clear and their presence impactful, even if their screen time is limited.

7. Emphasize Calm in Chaos

Mr. Wolf’s calmness is a stark contrast to the chaos around him, making him a grounding force in the narrative. Use calm, composed characters to anchor chaotic scenes and provide balance.

---

Conclusion

From Mr. Wolf’s perspective, Pulp Fiction is a story about professionalism, control, and the triumph of order over chaos. His role demonstrates the value of competence and precision in storytelling, offering a masterclass in efficiency and impact. For screenwriters, Mr. Wolf’s character is a reminder to craft purposeful, memorable characters who leave an indelible mark on the narrative, even in a limited timeframe.

STORY NOTES

I’m a professional, working screenwriter/director/producer.

I have worked with Morgan Freeman (The Shawshank Redemption), Harvey Keitel (Pulp Fiction), Olga Kurylenko (Quantum Of Solace), Matt Doran (The Matrix).

Unlike many other script-doctor services, the notes I provide are in-depth and comprehensive, often running to ten pages, ensuring every aspect of your story is analyzed.

What you get…

1. Page Read Notes. These are beat specific notes that arise as I read your script. These focus on the minutiae of your story as it unfolds.
2. General Notes. These focus on all the key aspects of your screenplay, being: Concept, Form, Characters, Dialogue, Hero, Antagonist, Voice, Production, Hero’s Journey, Goal, Stakes, Urgency.
3. A one hour Zoom call to go over the notes and answer all your questions before you begin your deep dive into your next draft.
4. Lastly, I offer indefinite email follow up. Feel free to email any questions that arise as you rewrite your screenplay. It’s always great to have an objective sounding board to bounce ideas off. 

Email samuelb888@gmail.com to take your story to the next level.

All the very best with your writing journey!

SCREENWRITING TIPS FROM - STAR WARS - A NEW HOPE - HAN'S POV

 Summary of the Story - Han Solo’s POV

Han Solo begins the story as a jaded smuggler, focused solely on personal gain and avoiding Imperial entanglements. When hired by Obi-Wan Kenobi and Luke Skywalker to transport them to Alderaan, Han’s sole motivation is earning enough credits to pay off Jabba the Hutt. However, as the story progresses, his interactions with Leia, Luke, and the Rebel cause begin to challenge his selfish worldview.

Through a series of trials, Han’s hidden bravery and loyalty emerge. His decision to return during the Death Star assault to save Luke shows that he is more than a rogue mercenary—he’s capable of heroism and selflessness. By the end of the film, Han finds a place among the Rebels, proving that even the most reluctant of heroes can change.

Han’s Hero’s Journey and Screenwriting Tips

1. The Ordinary World

• Story Beat: Han operates as a smuggler, hustling in the galaxy’s gray areas. He’s cynical, driven by money, and loyal only to Chewbacca.

• Screenwriting Tip: Create layered characters by establishing their flaws and motivations early. Han’s roguish charm is engaging but hides deeper insecurities.

2. The Call to Adventure

• Story Beat: Obi-Wan and Luke offer Han a large payment for transport to Alderaan. The job promises enough money to pay off his debts, luring him into the story.

• Screenwriting Tip: Use the protagonist’s flaws to pull them into the plot. Han’s greed aligns with the mission, making his participation organic.

3. Refusal of the Call

• Story Beat: Han is skeptical of the Rebels’ mission, dismissing their ideals as foolish. He plans to finish the job, get paid, and leave.

• Screenwriting Tip: Allow a reluctant hero to resist involvement in the larger stakes. This builds tension and sets up a satisfying transformation later.

4. Meeting the Mentor

• Story Beat: While Obi-Wan isn’t a direct mentor to Han, Luke and Leia challenge his worldview. Leia, in particular, acts as a moral compass, drawing out his potential for selflessness.

• Screenwriting Tip: Not all mentors have to be traditional guides. Sometimes, supporting characters push the hero toward growth through conflict or example.

5. Crossing the Threshold

• Story Beat: After escaping Tatooine and evading the Empire, Han finds himself entangled in the Rebels’ struggle. The rescue of Leia deepens his involvement despite his protests.

• Screenwriting Tip: Force your protagonist into situations where they must engage with the story’s stakes, even if it’s against their will. Conflict drives growth.

6. Tests, Allies, and Enemies

• Story Beat: Han’s wit and resourcefulness are tested in the Death Star escape, from improvising plans to facing stormtroopers. His camaraderie with Luke and Leia begins to grow.

• Screenwriting Tip: Use group dynamics to reveal new facets of your protagonist. Han’s teamwork highlights both his competence and his underlying goodness.

7. The Approach to the Inmost Cave

• Story Beat: After delivering Leia to the Rebel base, Han prepares to leave. He dismisses the Rebellion’s mission, prioritizing his debt to Jabba and choosing self-preservation over heroism.

• Screenwriting Tip: Before a reluctant hero can change, show them clinging to their old ways. This makes their eventual transformation more impactful.

8. The Ordeal

• Story Beat: As the Rebels launch their attack on the Death Star, Han departs, seemingly abandoning the cause. This moment tests whether he’ll truly embrace change or stay the same.

• Screenwriting Tip: A key turning point should force the protagonist to confront their inner conflict. Will they rise to the occasion or revert to old habits?

9. The Reward

• Story Beat: Han’s unexpected return during the Death Star assault saves Luke, allowing the Rebels to destroy the station. This act of courage cements his place as a hero.

• Screenwriting Tip: The reward should reflect the character’s growth. Han’s choice to return, risking his life for others, is a direct reversal of his earlier selfishness.

10. The Road Back

• Story Beat: Han joins the Rebels, no longer motivated solely by personal gain. His decision to stay signals a newfound sense of purpose and belonging.

• Screenwriting Tip: Show how your character’s transformation affects their decisions. Han’s return isn’t just an action beat—it’s the culmination of his arc.

11. The Resurrection

• Story Beat: By embracing selflessness, Han sheds his cynical, self-serving persona. His heroism during the battle proves his loyalty and courage.

• Screenwriting Tip: The climax should resolve your character’s internal conflict. Han’s heroic return is both a physical and emotional victory.

12. Return with the Elixir

• Story Beat: Han is celebrated alongside Luke during the medal ceremony, signifying his acceptance into the Rebel cause. He’s no longer a loner but part of something greater.

• Screenwriting Tip: End your story with a visual or emotional moment that solidifies the protagonist’s growth. Han’s inclusion in the ceremony reflects his transformation.

Themes Related to Han and Writing Insights

1. Redemption

   • Theme: Han’s arc is a story of redemption, showing that even a rogue with selfish tendencies can become a hero.

   • Tip: Redemption arcs are compelling because they reflect universal hopes for change. Make your protagonist’s growth gradual and believable.

1. Selflessness vs. Self-Interest

1. Theme: Han struggles between pursuing his own interests and fighting for a greater cause. His eventual choice highlights the value of altruism.

2. Tip: Create tension by forcing your protagonist to choose between their old, flawed self and the person they could become.

1. Belonging

1. Theme: Han begins as a loner but finds a sense of purpose and camaraderie with the Rebels.

2. Tip: Show how relationships with other characters can catalyze your protagonist’s growth. Dynamic group interactions make for engaging storytelling.

Symbolism in Han’s Journey and Screenwriting Lessons

1. The Millennium Falcon

   • Symbolism: Represents Han’s independence and resourcefulness. As the story progresses, it becomes a vessel for heroism and connection.

   • Tip: Use a recurring object or setting to mirror your protagonist’s evolution. The Falcon transitions from a smuggler’s hideout to a hero’s ship.

1. The Death Star

1. Symbolism: A monolithic force of tyranny, the Death Star contrasts Han’s scrappy individuality. Its destruction parallels Han’s decision to fight for a cause.

2. Tip: A strong antagonist can challenge your protagonist’s values, pushing them toward change.

1. Chewbacca

1. Symbolism: Chewbacca embodies loyalty and serves as a mirror to Han’s potential for goodness. Their bond grounds Han even when he’s at his most selfish.

2. Tip: Use sidekicks to reflect and challenge your protagonist’s traits. They can provide both support and subtle nudges toward growth.

Screenwriting Lessons from Han Solo’s Arc

1. Reluctant Heroes Are Relatable: Han’s initial resistance to change makes his eventual transformation more rewarding. Audiences connect with characters who struggle with flaws before achieving growth.

2. Growth Is Shown Through Actions: Han’s decision to return during the Death Star battle is a powerful visual and narrative payoff. Let your protagonist’s growth be demonstrated through key choices rather than exposition.

3. Charisma Can Mask Vulnerability: Han’s charm and wit make him engaging, but his deeper insecurities and fears make him compelling. Create layered characters who balance external confidence with internal conflict.

4. Transformation Requires Conflict: Han’s arc wouldn’t be as satisfying without the constant push and pull between his selfish instincts and his emerging heroism. Use external stakes and relationships to challenge your protagonist’s worldview.

Conclusion

Han Solo’s journey in A New Hope is a masterclass in crafting a compelling redemption arc. His transformation from a selfish smuggler to a courageous hero resonates because it’s gradual, believable, and emotionally satisfying. For screenwriters, Han’s story highlights the importance of flawed, charismatic characters who grow through meaningful choices and dynamic relationships. His arc proves that even the most reluctant hero can inspire audiences to believe in the power of change.

STORY NOTES

I’m a professional, working screenwriter/director/producer.

I have worked with Morgan Freeman (The Shawshank Redemption), Harvey Keitel (Pulp Fiction), Olga Kurylenko (Quantum Of Solace), Matt Doran (The Matrix).

Unlike many other script-doctor services, the notes I provide are in-depth and comprehensive, often running to ten pages, ensuring every aspect of your story is analyzed.

What you get…

1. Page Read Notes. These are beat specific notes that arise as I read your script. These focus on the minutiae of your story as it unfolds.
2. General Notes. These focus on all the key aspects of your screenplay, being: Concept, Form, Characters, Dialogue, Hero, Antagonist, Voice, Production, Hero’s Journey, Goal, Stakes, Urgency.
3. A one hour Zoom call to go over the notes and answer all your questions before you begin your deep dive into your next draft.
4. Lastly, I offer indefinite email follow up. Feel free to email any questions that arise as you rewrite your screenplay. It’s always great to have an objective sounding board to bounce ideas off. 

Email samuelb888@gmail.com to take your story to the next level.

All the very best with your writing journey!

SCREENWRITING TIPS FROM - STAR WARS - A NEW HOPE - LUKE'S POV

Summary of the Story - Luke’s POV.

Luke Skywalker’s story begins as that of a restless farm boy on Tatooine, yearning for adventure beyond his dull, isolated life. His discovery of a mysterious message from Princess Leia embedded in R2-D2 catapults him into an epic struggle between the Rebel Alliance and the tyrannical Galactic Empire. Guided by Obi-Wan Kenobi, he learns about the Jedi, the Force, and his father’s legendary role as a Jedi Knight.

The murder of his aunt and uncle forces Luke to leave Tatooine, joining Obi-Wan, Han Solo, and Chewbacca in a mission to rescue Leia and deliver the stolen Death Star plans to the Rebel Alliance. Despite doubts and setbacks, Luke embraces his destiny, trusting in the Force to destroy the Death Star and secure victory for the Rebels. By the film's end, he transitions from a naive dreamer to a confident hero, marking the beginning of his path as a Jedi.

Luke’s Hero’s Journey and Screenwriting Tips

1. The Ordinary World

• Story Beat: Luke’s mundane life on the moisture farm establishes his dissatisfaction and longing for adventure. The twin suns of Tatooine symbolize his dual destiny—staying in the familiar or seeking the unknown.

• Screenwriting Tip: Establish your protagonist’s world and desires clearly. Show what’s missing in their life to make the stakes of their journey relatable.

2. The Call to Adventure

• Story Beat: The discovery of Leia’s message in R2-D2 sets Luke’s adventure in motion, presenting him with an opportunity to leave his stagnant life.

• Screenwriting Tip: Introduce a tangible, compelling event early in the story that forces the protagonist out of their comfort zone. Make this moment intriguing and pivotal.

3. Refusal of the Call

• Story Beat: Luke hesitates, citing his responsibilities on the farm. His reluctance reflects fear and self-doubt, making his eventual choice more meaningful.

• Screenwriting Tip: Allow your protagonist to resist the call initially. This hesitation humanizes them, makes their journey more believable, and adds dramatic tension.

4. Meeting the Mentor

• Story Beat: Obi-Wan Kenobi becomes Luke’s guide, offering him knowledge about the Force and a lightsaber—symbols of power and responsibility.

• Screenwriting Tip: Use a mentor figure to provide essential exposition and inspire your hero. The mentor should push the protagonist toward growth without overshadowing their journey.

5. Crossing the Threshold

• Story Beat: The murder of Luke’s aunt and uncle severs his ties to Tatooine, pushing him into the larger galaxy. Boarding the Millennium Falcon marks his commitment to the adventure.

• Screenwriting Tip: A clear, irreversible event should propel your hero into the new world. Create emotional stakes that justify their choice to move forward.

6. Tests, Allies, and Enemies

• Story Beat: Luke faces challenges aboard the Death Star, including rescuing Leia, evading stormtroopers, and losing Obi-Wan. He builds camaraderie with Han and Leia, cementing his place in the Rebel cause.

• Screenwriting Tip: Introduce meaningful allies and clear antagonists to test your hero. Show their growth through teamwork, setbacks, and small victories.

7. The Approach to the Inmost Cave

• Story Beat: Preparing to attack the Death Star, Luke faces the weight of responsibility. Despite his inexperience, he resolves to fight for something greater than himself.

• Screenwriting Tip: Heighten the tension before the climax. Show your protagonist grappling with self-doubt or new challenges, making their eventual success more impactful.

8. The Ordeal

• Story Beat: In the Death Star trench run, Luke faces his greatest challenge yet. Under Darth Vader’s pursuit, he must trust himself and the Force to succeed.

• Screenwriting Tip: The climax should test your protagonist’s resolve and growth. Build suspense by showing them teetering on the brink of failure before achieving victory.

9. The Reward

• Story Beat: Luke destroys the Death Star, earning victory for the Rebels and validating his belief in the Force. He steps into his role as a hero, gaining confidence and purpose.

• Screenwriting Tip: The reward should feel earned. Tie it directly to the choices and sacrifices your protagonist has made along the way.

10. The Road Back

• Story Beat: Although Luke doesn’t return to a literal home, he finds a new sense of belonging in the Rebel Alliance. This moment marks the end of his old life and the start of his journey as a Jedi.

• Screenwriting Tip: Show how your protagonist’s journey has fundamentally changed them. Even if they don’t return home, their transformation should be evident.

11. The Resurrection

• Story Beat: The destruction of the Death Star symbolizes Luke’s rebirth as a hero. He embraces the Force and steps into a leadership role.

• Screenwriting Tip: Use the climax to solidify your hero’s transformation. This is where they embody the lessons learned throughout the story.

12. Return with the Elixir

• Story Beat: The medal ceremony celebrates Luke’s victory, signaling hope for the galaxy and the resurgence of the Jedi. However, his journey has just begun.

• Screenwriting Tip: End with a satisfying resolution, but leave room for future growth. Show how your hero’s transformation has impacted the world around them.

Themes Related to Luke and Writing Insights

1. The Power of Hope

   • Theme: Luke represents the transformative power of hope in overcoming tyranny and despair.

   • Tip: Anchor your story in universal themes. Audiences resonate with characters who embody emotions like hope, courage, and determination.

1. Destiny and Choice

1. Theme: Luke’s journey balances destiny (the Force) with personal choice. His growth comes from taking responsibility for his path.

2. Tip: Give your protagonist agency. Even if fate plays a role, their choices should drive the story forward.

1. Coming of Age

1. Theme: Luke’s arc is a classic coming-of-age tale. He matures emotionally and steps into his role as a hero.

2. Tip: Show character growth through actions, not exposition. Demonstrate their evolution with meaningful decisions and visible change.

1. Faith in the Unknown

1. Theme: The Force symbolizes trust in something greater than oneself, a spiritual awakening for Luke.

2. Tip: Use symbolism and subtext to deepen your story. Visual motifs, like the Force or the twin suns, can reinforce your themes without overt explanation.

Symbolism in Luke’s Journey and Screenwriting Lessons

1. Tatooine (Ordinary World)

   • Symbolism: Represents stagnation and longing. The twin suns embody duality and the potential for transformation.

   • Tip: Use the setting to reflect your character’s emotional state and thematic conflicts.

1. The Lightsaber

1. Symbolism: A gift from Obi-Wan, it symbolizes Luke’s legacy and his potential as a Jedi.

2. Tip: Use props to signify turning points in your story. A well-placed object can carry emotional and narrative weight.

1. The Death Star

1. Symbolism: Represents tyranny and fear. Its destruction signals the triumph of courage over oppression.

2. Tip: Make your antagonist’s power visually imposing. A strong, clear threat heightens tension and stakes.

1. The Medal Ceremony

1. Symbolism: Acknowledges Luke’s transformation. He’s no longer a farm boy but a hero with purpose.

2. Tip: End with a visual payoff that cements your character’s growth. Closure is key, even in an ongoing saga.

Conclusion

Luke Skywalker’s journey in A New Hope exemplifies the Hero’s Journey while providing screenwriters with valuable lessons. His transformation from a naive farm boy to a confident hero resonates because it is universal, human, and deeply tied to the story’s themes and symbolism. For writers, Luke’s arc highlights the importance of crafting a protagonist with clear desires, emotional growth, and a meaningful journey that inspires hope and connection.

STORY NOTES

I’m a professional, working screenwriter/director/producer.

I have worked with Morgan Freeman (The Shawshank Redemption), Harvey Keitel (Pulp Fiction), Olga Kurylenko (Quantum Of Solace), Matt Doran (The Matrix).

Unlike many other script-doctor services, the notes I provide are in-depth and comprehensive, often running to ten pages, ensuring every aspect of your story is analyzed.

What you get…

1. Page Read Notes. These are beat specific notes that arise as I read your script. These focus on the minutiae of your story as it unfolds.
2. General Notes. These focus on all the key aspects of your screenplay, being: Concept, Form, Characters, Dialogue, Hero, Antagonist, Voice, Production, Hero’s Journey, Goal, Stakes, Urgency.
3. A one hour Zoom call to go over the notes and answer all your questions before you begin your deep dive into your next draft.
4. Lastly, I offer indefinite email follow up. Feel free to email any questions that arise as you rewrite your screenplay. It’s always great to have an objective sounding board to bounce ideas off. 

Email samuelb888@gmail.com to take your story to the next level.

All the very best with your writing journey!

HOW TO WRITE A SYNOPSIS

A short one today and not a screenplay review. 

I just finished writing a synopsis of a feature film of mine for a producer.

Synopsises aren't easy to write. It's hard enough to write a feature film in long form, to then ask a writer to re-write that same story in summary form can be daunting. 

Here I want to share a quick guide to writing a good synopsis quickly and easily. 

WHY DO I NEED A SYNOPSIS?

Because people are time-poor and nobody wants to waste their time reading a script that sucks. 

A synopsis is a short form version of your story that allows the prospective producer/investor/talent to decide if they want to spend the time reading the entire full length script.

HOW LONG SHOULD A SYNOPSIS BE?

I suggest writing three synopsises of different lengths. They are....

1) Logline - this is one sentence that sums up your entire film. See my previous post on loglines here. 

https://deconstructthescript.blogspot.com/2016/04/loglines-article.html

2) A half to full page synopsis. In this version only touch on the major elements of your story. The hero, their goal, obstacles, the hero's flaw, the antagonist, stakes, urgency and the basic plot points of your storyline.  

3) Long form - 3 - 6 pages. The tighter the better. Aim for closer to the three pages end of that spectrum than the six pages end. 

Remember, the goal of synopsises are to get people interested in reading the full script. 

Your synopsis needs to read fun and fast.  


SHOULD I GIVE AWAY THE TWIST IN THE SYNOPSIS?

Not in the logline. 

But yes, definitely in the medium or long form version of your synopsis. 

I have never met a producer who doesn't want to know what the hook or twist is. 

The hook or twist is often the very reason producers get onboard with a project. To not let them know for fear of it ruining the surprise is shooting yourself in the foot. 

SO, HOW DO I WRITE A SYNOPSIS?

There's a saying that goes something like, "If you want me to speak for an hour give me the day to prepare. If you want me to talk for five minutes give me the week."

Meaning, it is harder and requires more preparation time to condense what you want to say into a shorter form. 

The same holds true for writing a synopsis. You'll find the 10 page version easier to write than the 1 page version.

And it is with this 10 page version that I suggest you start. 

Open two documents side by side. In the first document you have your completed screenplay. The second is to become your long form synopsis. 

The average screenplay length is 100 pages. (roughly) So to get this number down to 10 pages you're essentially looking to compress 10 screenplay pages into one synopsis page.

Very often a screenplay will start with a hook that if often 3-5 pages long. Try to condense this hook into half a page. Remember, if 10 screenplays pages equals one synopsis page, then 5 screenplay pages equals half a synopsis page. 

Go through your entire script working like this. Read a section of pages until you find a natural break in the storyline then summarise that section into synopsis form, keeping in mind the ratio of 10:1.

It will take you while, but there's no great technical skill required here. All you do is read your script then summarise. Do it section by section and after a time you will have your 10 page synopsis of your script. 

Ok, that's a great start, but ideally, you want a 5 page version. 10 pages is still a little too long.

How to get there?

Close the original screenplay document. Save, then duplicate the 10 page synopsis. 

On this duplicate start to edit out the beats that aren't really important. 

In a screenplay you have a lot of small beats that are necessary for the story to have texture and feel real. What you do now is remove the smaller story beats that aren't critical to understanding the main storyline. 

A great test to know if a beat is important or not, try removing it, then re-read your new synopsis. Does your synopsis still make sense without that beat? If so, good, you've removed a smaller beat that's not important. If not, then you have identified a beat that is critical for your audience understand the story. 

Repeat this process over and over until you have halved your synopsis from 10 pages to roughly 5 pages. 

You now have two synopsises, your 10 page version and this 5 page version. 

Next, you need a 1 page synopsis. 

Save and duplicate the 5 page version of your synopsis. 

Now, on your new copy of the 5 page version, you're going to start fusing beats together. 

Read two beats side by side and rewrite them as one fused beat. This will involve really stripping back your story to its essence, but it's a relatively easy process. 

The more you go over your beats, the more you will come to realise how many beats you can remove and the general plot of your story will remain comprehensible  

Simply repeat this process until you have whittled 5 pages down to 2. 

Then take those two pages and look harder. Repeat the process of removing beats and seeing if the plot still makes sense without them. 

You'll find that in the one page form you will focus on the hero and their main storyline. Almost all ancillary characters will fall away, except for key supports and the antagonist.

It's ok to cut the B storyline. In a one page synopsis no one expects to get all the detailed nuance of each character and how they relate to the others. All they really want are the broader strokes that paint a general picture. 

SUMMARY

Start with a ten page synopsis then work your way down from there. 

You'll want three lengths at the ready for when a producer/agent/talent requests a synopsis. 

1) Logline 
2) 1 page synopsis.
3) Long form 3 - 6 page synopsis.

FINAL TIP

Get your synopsises done before sending out your script. It's better to have a great synopsis at the ready than to have to tell someone who is interested in your story that you'll get back to them in a few days when you've had a chance to write a synopsis. 

You look professional when you have your synopsis at the ready. 

2019 BLACKLIST - #3 - DON'T WORRY DARLING

A psychological thriller about a 1950s housewife whose reality begins to crack, revealing a disturbing truth underneath.

This script landed at #3 on the 2019 blacklist with 19 votes. 

It's written by the Van Dyke brothers. 

This was an interesting script. 

Its central premise is - "is the main character crazy?" Which is a very done subject. I'd go so far as to say cliche. However, in this script, they manage to wrap this trope in a very contemporary subject matter - sexism. 

Let's look at the story and see what they've done right and where they could improve. 

We start in 1950's cliche, white, perfect America. The town is nondescript, it's one of those perfect places right out of a magazine. Here, we meet Evelyn, the hero of our story. She's a housewife in an era where the majority of women were led to believe that it's a Man's world, and all women exist to please their husbands. 

We first meet Evelyn making love to her husband, Clifford. The sex itself is pretty good, and Evelyn even seems into it, but directly after she hurries away to the bathroom where she uses a female contraceptive. 

Clifford really wants to start a family but Evelyn is terrified by the notion of being weighed down with the permanency of kids. 

Evelyn longs to have a career of her own. She even has intense dreams of being a surgeon. But these dreams are so vivid and real, they feel like memories. 

This is where the story starts to twist. The first question is, are Evelyn's dreams just dreams, or are they deeply buried memories?

We soon meet Betsy and Joe, their neighbors. Betsy and Joe have the picture-perfect family. Two kids, Joe working hard, Betsy really good at all things homely. While Clifford aspires to their family paradigm, Evelyn is horrified by the notion. 

It seems that Evelyn is a modern woman stuck in a 1950s culture. 

When Clifford discovers that Evelyn is using a contraceptive they have an argument that involves a lot of yelling, a broken mirror and a temporary loss of patience and civility between them. But the next day, they both pretend that everything is fine, that nothing happened. They go back to their usual routine. 

While on her way back from shopping, Evelyn sees her husband's car parked at a seedy motel. She investigates and sees Clifford enter room 1.

Evelyn has to know what's happening in that room, even if he is having an affair, she has to know. Something very strange happens when she opens the door to room 1. 

There's a blinding flash of white light and Evelyn wakes up in a machine that looks like an MRI machine. She's hooked up to this futuristic device with a myriad of tubes and wires. Her legs are atrophied from lack of use. 

She freaks out, and manages to get out of the machine, she tries to crawl out of the small dimly lit room she finds herself in, when she suddenly sees Clifford, he rushes her and injects her with a syringe. 

When she wakes, Evelyn finds herself in her bed back in 1950. 

It was all just a dream. 

Or was it?

From here, things only get worse. These visions become more frequent, and as Evelyn investigates she comes to believe that she is from the future, 2050, to be precise, and that her 1950s reality is really just a simulation, her real body is back in 2050 hooked up to that futuristic MRI machine.  

The premise and the question of the story becomes, is Evelyn living in a simulated reality or is she going mad?

The problem with the 'Is the hero mad or not?' question is that you have to answer it at some stage. There are only ever three answers to this question.

Yes, they're mad, and they're imagining all this craziness.
No, they're not mad, this craziness is really happening.

OR

You leave it unanswered. You let the audience decide if she's crazy or not. 

It's hard to get any of these endings to work well. 

I won't ruin it by saying how this script ends, but it's an interesting screenwriting point to look at. 

The SETUP and the PAYOFF.

For your film to feel rewarding, your payoff needs to be bigger and more unexpected than your setup. 

I talk about the importance of unpredictability in screenplays a lot. If the audience can see where the story is going they'll tune out and become bored quickly. 

The same goes for your central story premise - if you set up your story to look like it's going to go a certain way, and then it does, there's no sense of reward to the viewer. Essentially, what they expected to happen, did. 

This is an example of your payoff not exceeding your setup. 

If you can twist your story at various places and constantly keep your audience guessing right up until the very end, then you will have succeeded. Your payoff will be greater than your setup.

Think about your own film-watching experiences. Think how many times you have watched a film and felt like it was a waste of time, you came away thinking, 'was that it?' You don't want that to happen to the audience of your movie. 

MAKE SURE YOUR PAYOFF IS GREATER THAN YOUR SETUP.

I liked Evelyn a lot in this story. It's funny, as there weren't many instances of ACTIVE POSITIVE EMPATHY - that is where the hero actively goes out of their way to do something good for someone other than themselves. This being the strongest form of empathy and the best way to get us to love your hero. 

While there wasn't much ACTIVE POSITIVE EMPATHY, there were bucket loads of PASSIVE POSITIVE EMPATHY. 

That's where we feel sorry for someone because of the bad things that happen to them. 

Evelyn's life is loaded with sexism. She isn't allowed to pursue a career, her place is in the home, she is supposed to cook clean and make babies. 

The reason we like Evelyn is that she stands up for herself. She's not just letting herself get pregnant, she is ACTIVELY taking a contraceptive. When she finds her husband go into the motel, she ACTIVELY investigates and discovers this crazy futuristic world. 

The keyword here, you may have noticed, is ACTIVE. 

We love heroes who stick up for themselves. We love heroes who actively go about trying to better their life. 

Now, if the writers had taken the passive approach, if they had written Evelyn not taking contraception, and that she didn't stand up for herself when Clifford confronted her about it, or that she didn't investigate further when she saw Clifford at the motel - there's no way we would have loved her quite so much. 

Her life would still be awash with sexism, there would still be all the passive positive empathy beats, but we wouldn't really care about her. 

AUDIENCES CARE FOR HEROES WHO CARE FOR THEMSELVES. 

I'm not saying self-love in a narcissistic way, I'm saying heroes who have enough self-respect to stand up for themselves, despite the consequences of doing so. 

AUDIENCES RESPECT HEROES WHO RESPECT THEMSELVES.

This brings me to a very broad point about screenwriting in general.

FILMS REFLECT LIFE. 

The more I analyze films, the more I come to realize that what works in life, works in film. Think about who we LIKE in real life and why we like them. All those reasons transpose perfectly to the world of film. 

The more nuanced and detailed and layered your characters are the more real they feel. 

The more life-like you can write your screenplay, the more it will resonate with readers, producers and finally, your audience. 

One last thing I want to look at in this screenplay was the OPEN-ENDED GOAL. 

Films with a closed-ended goal tend to do better than scripts with an open-ended goal. 

A closed-ended goal is - X must do Y to prevent Z. 

An opened-ended goal is more ambiguous. 

In this story, Evelyn's goal is to discover if she is crazy or not. 

How does she achieve that? Even Evelyn doesn't know how to do that. 

Take the film Saving Private Ryan, for a great example of a closed-ended goal. 

The title of the film tells you what the GOAL is. 

Save private Ryan. 

It doesn't get much more closed-ended than that. When your goal is tangible, your audience feels oriented. At any given time in the film, they know what is happening and why. 

When your audience doesn't know what the hero needs to do next they start to feel disconnected from the story.

Where possible, try to write your story with a CLOSED ENDED GOAL. 

In summary, I enjoyed this script. It has Olivia Wilde attached to direct, which is a good start. IMDBPRO has a new writer listed in the writing credits, so I'm going to imagine that the final shooting script will differ from this current draft. How significantly is yet to be seen.

If I was a producer I would consider this script depending on the talent you could get attached to it, and I wouldn't let it run anywhere over a $3m budget. 

This script is more sci-fi than horror, but it could very well find a huge audience because of the central premise subject matter being - sexism. 

I'll track this project and look forward to seeing how the creatives bring it to life - if they do.